Petrit Halilaj

Petrit Halilaj (b. 1986 in Kostërrc, Kosovo) understands exhibitions as a way to alter the course of personal and collective histories, creating complex worlds that claim space for freedom, desire, intimacy, and identity. His work is deeply connected to the recent history of his native country Kosovo and the consequences of cultural and political tensions in the region, which he often takes as a starting point for igniting countercurrent poetics for the future. Rooted in his biography, the projects encompass a variety of media, including sculpture, drawing, text, and performance. Often incorporating materials from Kosovo and manifesting as ambitious spatial installations, his work transposes personal relationships, places and people into sculptural forms. Halilaj’s practice can be seen as a playful and, at times, irreverent attempt to resist oppressive politics and social norms towards an untamed celebration of all forms of connectedness and freedom.

Halilaj held solo exhibitions at Hamburger Bahnhof Museum for Contemporary Art, Berlin; Institut Giacometti, Paris; Metropolitan Museum of Art, New York; Museo Rufino Tamayo, Mexico City; Tate St. Ives, UK; Palacio de Cristal, Museo Reina Sofia, Madrid; New Museum, New York; Fondazione Merz, Turin; Hammer Museum, Los Angeles; Pirelli HangarBicocca, Milan; Kölnischer Kunstverein, Cologne; Bundeskunsthalle, Bonn; Kunsthalle Sankt Gallen, among others.